Posted by MAKMU ta
On Friday, March 09, 2012
Upholstery and Leather
Dimensions
39"h x 98"w x 43"d
99cm h x 248cm w x 109cm d
Dimensions
39"h x 98"w x 44"d
99cm h x 248cm w x 111cm d
Dimensions
39"h x 98"w x 44"d
99cm h x 248cm w x 111cm d
Dimensions34"h x 97"w x 40"d
86cm h x 246cm w x 101cm d
Finish Swatches
Dimensions39"h x 87"w x 48"d
99cm h x 220cm w x 121cm d
Finish Swatches
Dimensions40"h x 99"w x 47"d
101cm h x 251cm w x 119cm d
Finish Swatches
Posted by MAKMU ta
On Thursday, March 08, 2012
Decorating With Chinese Antique Living Room Furniture
A pair of red and green Chinese wedding cabinets found in Belgium fit perfectly into Lina Kanafani's living room alcoves. ¡°Their colours are a source of warmth and add playfulness to the general ambience of the room,¡± she explains. In practical terms, they are used to store the music system, speakers, CDs, books and magazines. For Kanafani, aesthetics is more important than value: ¡°They may not be ¡®important' pieces as far as Chinese furniture is concerned, but they have perfectly achieved the effect I was after
In a corner of the living room is a Japanese screen which dates from the late 16 th century and depicts the Imperial horse stables. The carpet is late 17 th century Chinese and the pair of Huanghuali horseshoe back chairs are part of a set of four 17 th century pieces.
Clean lines, lack of ornamentation and a subtle colour scheme characterize Kai-Yin Lo's living room, where Chinese art is hung on the walls with architectural precsion. A pair of window panels features the persimmon in a four-petal design. ¡°One of the earliest plant motifs used in China, the persimmon dates more than 1,800 years to the Han dynasty,¡± she says. On a Ming side table at the back of the room is a pot filled with 200-year-old fungus called Lingzhi found in Anhui province.
Looking through the living room into the Dining room , flanking the door is a pair of mountain landscapes by Fu Bao Shih, 1940. The large figure on the left is 12 th century Japanese, the Chinese carpet is late 17 th century / early 18 th century. The barrel stool in the foreground is made of Laohuali, a style of rosewood. Such stools were originally made of bamboo, hence their shape. The top is marble ¨C ¡°Very good as it doesn't leave stains when people pry their drinks down on them¡±, notes the owner.
A pair of sofas dressed in pale textured fabrics stand in the center of Kai-Yin Lo's living room, defining the seating area in the flowing, open plan space. Recessed and spot lighting illuminate her extensive collection of Chinese art and furniture. A low platform functions as a coffee table; it was originally one of the earliest types of raised seating in China. This rare piece dates from the 18 th century and is made of nan mu (a variety of cedarwood). It is constructed of three modular sections which can function as a single platform (pictured here), or used separately as smaller seats, stands or low tables. On top is a miniature Ming display table featuring a collection of Buddhist knots of destiny. A silk padded screen, featuring artworks in ink and colour, shields the dining room from the living area. A 3 rd -century Gandhara Buddha from the Indus Valley stands serenely in the entrance hall.
Rocks are treasured by Chinese collectors as objects of art,¡± explains Wu. ¡°They symbolize nature and can be brought inside so one can contemplate nature indoors.¡± This malachite stone from Shilu Mountain is an impressive example.
A classic 16th-century Ming lute table stands against the far wall; it would have been an important part of the scholar's accoutrements of the time. Calligraphy is regarded as the highest form of art in China and Wu Bruce has a spectacular collection. Hanging behind the lute table is a 16 th -17 th -century scroll by Zheng Da Qian which depicts the lone scholar in the mountains. The pair of calligraphy couplets are by early 20 th -century calligrapher Lin San Zhi; they refer to furniture. In the foreground, a dash of contemporary style is added with colourful Iranian rugs. The extremely heavy yellow wax ¡®Lashi' stone symbolizes nature being brought inside.
Floor-to-ceiling glass panels overlooking a central stairway help open up the interior of this four-storey London house. In the living room, things are kept architecturally minimal with white walls, a pale wood floor and spot lighting. The clean-lined approach is maintained with select pieces of pared-down antique furniture. A Ming luohan chuang (couch bed)-which would have originally been used for relaxation, meditation or conversation, often moved onto a terrace or into a garden to enjoy nature from-stands against the rear wall; to the left is a carved candlestand.
In the library, a 19th-century Anatolian kilim hangs on the wall; to the rear is a 17th-century Huanghuali painting table and a 16th-17th-century southern official's armchair. In the foreground, and Elmwood and red lacquer 19th-century ladder rests against the bookcases. The occupants prize the form of the furniture over the media used to create it as the most important feature in their collection.
Living with Ming: in a corner of the master bedroom, a Huanghuali Ming table and a southern official's armchair function as a desk area; above the desk hangs a textile from the Kaitag region of Daghestan, dated to the 18th-century or earlier. Neolithic pots, Japanese 19th-century baskets and a modern pot by Jeff Shapiro fill shelving units on either side. The landscape painting on silk is by Fu Shan (1607-1684 )
Carol Lu elegantly installed classic, clean-lined Ming furniture within a quasi-industrial palette in her light and airy Hong Kong apartment. In the entranceway, the concrete floor is tactile, durable and childproof. A sliding oak door seals off the space that features a burgundy back wall, a spindleback chair and a huge atmospheric canvas by Paris-based artist Zao Wuki.
White walls, a striped cream sofa and beige carpeting form the backdrop to a collection of Chinese antiques in the living room. With a nod to practicality, Chang added a glass top to an old wooden trunk engraved with country scenes. Against the wall stands a pair of Qing dynasty wod and brass doors from Shanxi province; near the sliding doors to the dining room is a 1930s cabinet which demonstrates the mix of Western and Chinese elements characteristic of the time. The glass in the bottom section is original.
A mix of custom-made Western-furniture, Chinese antiques and vibrant contemporary Chinese artworks produce Shanghai chic with an international edge. Shanghai's art scene is still in its infancy and Chua has selected work by prominent Chinese artists that, at present, are making more of an impact on the global scene than at home in China. In the entrance hall hangs a dramatic work by Shen Fan, untitled, 1995.
In the living room of Brad Davis and Janis Provisor's apartment, a seepskin throw is draped over a pistachio green sofa; a 1940s chair is covered with leopard-skin print fabric and an Isamu Noguchi lamp stands in the corner. Hanging above the brick fireplaceis a watercolour by Janis Provisor; on the mantelpiece is a collection of Italian glassware from the 1950s alongside antique Chinese jars and vases. On the wall hangs a pair of calligraphy scrolls.
Against the dining room walls stands a pair of mahogany Chippendale chairs. Between them is a slim 18th-century Elmwood sidetable from Shanxi province; on top is a pair of baluster vases, decorated in underglaze blue with polychrome enamels in the Chinese Imari style of the 17th century. The portait is of Viscount Wenman, painted in 1680 by Mary Beale, one of the few female artists of the period.
In the living room, a rare 18th-century child's horseshoe backed armchair made entirely of bamboo stands next to a 16 th -centruy Ming Kang table covered in woven bamboo and lacquered in red over black. In the foreground is a low table displaying 18th - and 19th-century Tibetan silver bowls. The Tang horse is a fine example in apple green glaze, with its original unglazed saddle.
Posted by MAKMU ta
On Saturday, February 18, 2012
>
Traditional yet cozy, this living room pays homage to the golden age of Hollywood, when tastes ran to contemporary, boxy shapes. Clad in neutral textures, the furniture performs a supporting role to a collection of patriotic portraits and etchings.
A warm taupe wall color, espresso brown, and robin's-egg blue collaborate to create this cozy gathering spot, but the whole scheme would look washed out without the black accents. The dark color draws attention to the room's clean lines and provides definition for the browns, allowing them to step forward.
Anyone who loves books will sooner or later run out of shelf space. This small reading nook was one homeowner's answer to that problem. Filling one wall with bookshelf cubbies, an elegant daybed was nestled into the spot along with practical swing-arm lamps.
Muted neutral tones grace all the walls in this home, improving flow between rooms. Color is added through a collection of ethnic and modern art and accessories. Large-scale furniture and artwork fill the roomy space without creating a fussy or cluttered look.
The living room's use of materials including steel, wood, concrete, and slate, adds textural contrast. This is an important design element when creating living spaces that appeal to the senses.
Burnished finishes and muted colors give this brand-new living room a beautifully aged look. Overstuffed sofas and a roomy leather chair provide comfy seating while a stone fireplace adds warmth. Displays of family photos and collectibles are a personal finishing touch.
Chocolate brown walls and white accents set a sophisticated tone in the living room. The wall color was plucked from the ottoman fabric.
Full of shape, texture, and pattern, this living room has a rich, ethnic quality. The warm palette includes taupe and white on the painted walls and architectural trim, with upholstery in shades of brown and khaki. Layers of texture include bamboo blinds, a leather ottoman, and a large area rug.
Slipcovers reflect the easy-living attitude that is crucial to this living room's cottage style. Sewn from affordable canvas, these slipcovers easily slip off and into the wash. Vintage floral fabrics, used to make colorful accent pillows, add amazing design punch. The light-tone hardwood floors add warmth underfoot.
Blending stately architectural features with eclectic furnishing isn't always easy. The keys here were texture, clean lines, and proportion. Objects on the mantel wall are placed from low to high and back down, keeping the eye moving within the room.
It's a little bit Asian and a little bit retro, yet the contemporary clean lines of this style unite a variety of elements in this living room. Neutral walls and furnishings allow the patterned rug and artwork to breathe as they capture the eye's attention.
Posted by MAKMU ta
On Sunday, February 12, 2012
Neutral colors (such as white, taupe and beige) give you a beautiful canvas to work upon when it comes to home décor. Limited use of colors and patterns help you to create a sophisticated environment along with interesting focal points in living rooms, Natural fibers are available in these colors too and have quite different textures for experimenting. The variety of texture in neutral natural colors infuses peace and calm in the home environment.
Posted by MAKMU ta
On Friday, September 30, 2011
Stage 1: Getting Started
With spartan white walls, bare windows, and mismatched furnishings, this small living room lacks personality and coziness. Pushing the furniture against one wall -- opposite the entertainment center -- is a no-brainer floor plan, but it leaves a runway down the middle, blocks the tall windows, and squeezes access to the adjacent stairs.
Stage 2: Color and a Floor Plan
Begin the living room's transformation with lush green paint, plucking the hues from a fabric you want to add later. Light celery washes the walls and ceiling; a darker shade in a durable lacquer-like gloss makes the simple woodwork pop. The door is no longer in use, so we pulled the seating to the room's center, using a sisal rug to define the area. The new arrangement guides you through the room, making it feel more spacious than its 200 square feet.
Stage 2 Room Elements
Existing Furniture: Dress up the slipcovered sofa and chairs with two-sided fabric pillows and new upholstery.
New Furniture: Multitaskers that fill in the holes and adapt for entertaining are key -- the elegant black tray table folds away when there's a crowd, and the space-saving green demilune table doubles as a mini bar.
Windows: Wood blinds with wide fabric tape give windows a finished look.
Artwork: Banish blank walls with a simple grid of framed vintage prints from old books. Green mats coordinate with the trim color.
Lighting: A pair of celadon lamps draws the eye to the room's focal point, the sofa.
Stage 3: Pile on Pattern
In the final stage, the details make the difference. Take the room from livable to lovable with the addition of a few new pieces, layers of pattern, and a mix of accessories.
Posted by MAKMU ta
On Friday, September 23, 2011
Posted by MAKMU ta
On Friday, September 23, 2011
Living Room Inspiration is the first post from a new series of inspiring living room pictures and was inspired by the Bedroom Inspiration Series. I know that a lot of people come on this blog for inspiration, and I hope that the picture that I present here will give you some inspiration for your living room, and no just for living room. Now let’s relax and enjoy these beautiful living rooms.
