Showing posts with label Folklore. Show all posts
Showing posts with label Folklore. Show all posts

Wednesday, November 16, 2011

Landscape Designer Mary Reynolds

Posted by MAKMU ta On Wednesday, November 16, 2011

Mary's Gold winning Garden at Chelsea 2002, Tearmann sí – A celtic sanctuary
So this post is a first for Stone Art's Blog: throughout the past two years or so that I have been writing this blog I have highlighted many artisans and stonemasons. However this post is the first time I have highlighted a landscape designer. And who better to begin with than one of my favourite Irish designers, award winning landscape designer Mary Reynolds.

Landscape Designer Mary Reynolds

Mary Reynolds, the first Irish winner of a Chelsea Flower Show Gold Medal for garden design, started her landscape design company in 1997, where she began her professional career designing gardens in and around  Dublin city. However over time she began to feel that city life was suppressing her creativity so she moved out of the city to the “wild west “of the Wicklow Mountains. As soon as she got back into the wilderness, not only did she feel inspired for the first time, but she aslo knew where it was that she wanted to bring her skills.

Mary felt the gardens she had been designing in the city were lacking, because they did not have that depth of soul that exists everywhere in wild places. Being once again surrounded by wilderness, Mary realized that this beautiful natural wilderness that is of such great inspiration to her as well as others was disappearing fast because people had become disconnected from it and had forgotten the importance of that connection, so she took it upon herself to create gardens that would bring this connection back into peoples lives.
Tearmann sí – A celtic sanctuary
In 2002 at just 28 years of age, Mary entered the RHS Chelsea Flower Show with her garden ‘Tearmann sí – A Celtic Sanctuary’. Inspired by the Wicklow countryside and her love for Irish mythology, Mary’s garden consisted of a circular stone moon gate lead over a stone path to the inner circle, where the elements of earth, air, fire and water combine. Surrounding the central circle was a grass mound carpeted with bluebell, inspired by Tara Hill in County Meath. Hawthorn and elder, two trees that feature in Celtic lore, formed a protective circle around the very edge of the garden. Enclosing the garden was a traditional dry stone wall, planted with native Irish plants, such as yarrow, thrift, hart's tongue, maidenhair and spleenwort.

Mary's Garden at Kew Gardens
As a result of her Chelsea victory in 2002, the British Government commissioned Mary to design a garden for the world-famous Botanical Gardens at Kew in London.
The garden is based on the imagery and atmosphere of the poem "The Stolen Child" by Irish poet W.B. Yeats.
Mary's Garden at Kew Gardens
Mary was also commissioned to design Brigit’s Gardens in Galway. Brigit’s gardens consists of four interlinked gardens, based on the Celtic festivals of Samhain, Imbolc, Bealtaine and Lughnasa that provide beautiful and tranquil reflective places and are a celebration of nature and the cycle of life.

Imbolc Spring Garden at Brigit's Garden
She had started on the project before her Chelsea win and completed the design later in 2002.
Samhain Winter Garden at Brigit's Gardens
I visited these wonderful gardens a few months ago, but there is so much going on at these gardens I am going to write a separate post about them at a later stage, so that I can write about this magical place in more detail now.
Bealtaine Summer Garden at Brigit's Garden
Lughnasa Autumn Garden at Brigit's Garden 
Some Mary’s favourite materials and structures to incorporate in her designs include stone, sculpted earth shapes, mosaic, living willow structures and cob structures. She also likes to incorporate native planting and Irish mythology.  It is all these qualities that make her one of my favourite Irish designers. I also love that she often includes stone seats. As well as being one of my favourite things to build from stone I have also written about stone seats and their importance in Irish folklore on a number of occasions. 

Here are a few other gardens by Mary that I find inspiering.

The Glenstal garden
Stone seating in The Glenstal garden
Cornwall seaside garden
Cornwall seaside garden
 
Cornwall seaside garden
Photographs courtesy of Mary’s website with her kind permission. Be sure to check out her website for more information and photos of her work on  http://www.maryreynoldsdesigns.com/

Tuesday, May 4, 2010

Blackthorn, Shillelaghs and the tree of the fairies, the Hawthorn

Posted by MAKMU ta On Tuesday, May 04, 2010


Blackthorn (Prunus spinosa) Draigean (Gaelic name)

Anyone driving on any country roads in Ireland at the moment will have noticed the beautiful white flowers of the Blackthorn, which has exploded onto the stage over the past few weeks.

This native Irish tree may be known by its Latin name Prunus spinosa or one of its many common names, such as sloe, wild plum, wishing thorn or mother of the wood. A close relative of cherries and plums, Blackthorn is a deciduous small tree or large shrub, growing up to 4 metres high at a medium growth rate. It is often found growing wild in hedgerows, on the edges of wooded areas or popping up on rough farmland.
The Blackthorn gets its name from its black bark, this bark is sometimes used to make an ink.

The five petalled, snow white flowers of the Blackthorn are at their best from March through April. The blooms appear before the leaves unfold (this is one of the easiest ways to tell the difference between Blackthorn and Hawthorn)
It's flowers before leaves for Blackthorn and leaves before flowers for Hawthorn.



The early Blackthorn flowers are followed by the finely serrated, dull-green oval leaves, which in turn are followed by blackish purple sloes in autumn. Sloes, the fruit of the Blackthorn, are extremely sour and are sometimes used for flavouring sloe gin.

The thicket like growth combined with Blackthorns notoriously vicious woody thorns, and the ability to re-grow quickly after cutting makes for an ideal stock proof new hedging material or as a replacement plant for existing hedgerow gaps.
Blackthorn is very valuable to birds as a nesting site. Blackbird, song thrush, finches, common whitethroat and wood pigeon are among the more common users.

The wood of the Blackthorn is both hard and light weight, this makes it is ideally suited to the manufacture of clubs/walking sticks. These sticks are known as ‘Shillelaghs’ and are better known as part of the Irish cliché ‘shamrocks and shillelaghs’

Hawthorn (Crataegus monogyna) Sceach Gheal



Just as the flowers of the Blackthorn begins to fade the Hawthorn explodes into flower, matching the floral show of the Blackthorn in colour and intensity.

The Hawthorn, or by its Latin name Crataegus monogyna, also known as Quickthorn, Whitethorn, or the May tree, is one of the most common small trees/large shrubs grown in Ireland. It is sometimes grown as individual trees, but it is more common to see it grown in a closely planted row as a hedge or screen. It is the ideal candidate for this, as young hawthorn plants grow strongly with many thorny branches and side-shoots. This quickly forms a thicket, which makes for a virtually stock-proof hedge.


A bushy tree, Hawthorn grows on average, to a height and spread of 6 metres.
Unlike Blackthorn whose stems are dark, the stems of Hawthorn are light grey turning to a pinkish brown colour with age, which is also when characteristic filled cracks start to appear up along the trunk. Most of the young twigs sprouting from the tree emerge red before going through these colour changes.
The glossy green leaves are between 20 to 30mm long and are divided into 3, 5 or 7 deeply cut lobes. The tree comes into leaf at the end March.

It is in flower from May to June with 5-petalled white flowers, which unfortunately have an unpleasant smell to some. You see, up close the flowers have a faint scent of rotting meat. This allows pollination of the flowers by flies rather than bees which are not active in early spring, its blooming time.

By September lots of red berries appear, these berries are known as ‘haws’. Birds will feed on these through the winter and so can we, although they don’t really taste of very much. They are dominated by a stone, which must not be cracked when eating the flesh of the berry, but they can be roasted and ground into a coffee substitute. The stone is often made up of several segments which tend to fuse together to appear as one. The berries are mostly used to make jams, and fruit leathers.


Our native tree of the fairies


In Irish myths and legends, there are many references to Hawthorn or Whitethorn and its connection with the fairy folk. It was once believed that to place a sprig of fairy Hawthorn in your milking parlour would cause your cows to supply extra pints of creamier milk.

It is also said that fairies who gather around a thorn tree are thought to be earth spirits and as a precaution no evil thing is ever said of them for fear of retribution. The old belief that any damage done to their trysting tree will bring misfortune to the doer has not died out and farmers still laboriously cultivate around them. In several instances it has been impossible to persuade workmen to remove a thorn tree from the route of a new road or footpath (as the picture below of a Hawthorn from somewhere in rural Ireland clearly shows), and there is widespread belief that to cut a thorn would bring ill luck on the person 'injuring' the tree and possibly death.*



Another use of the Hawthorn in Irish myths and legends is a Hawthorn known as St Ciaran's Bush. Ciaran was a fifth century saint who founded a monastery here.

Located at Clareen, east of Birr in the midlands of the country, the lonely Whitethorn is dressed in clothing rags (giving it its more impertinent name, the rag bush). It is believed that the bush cures illness and answers prayers, so when a piece of the persons clothing is placed on the bush, once the rag has rotted to nothing, their prayers and intentions will be answered. (It is also believed by some that the increase in the bush's use over the last few years is a reflection of the state of medical services in Ireland)

The tree does not appear to be particularly old, but it has been confirmed that the same bush has been decorated for at least 40 years. It is likely that the present tree replaced an older one.
The local people helped to preserve the tree when it was in danger of being felled due to the realignment of the road some years ago. It now stands on an island of grass, surrounded by low white railings, the old road on the west side, and the new road on the east.*


* References  [Tree Heritage or Britain and Ireland by Andrew Morton]

Thursday, April 1, 2010

Stone Chairs. Some ancient some not so ancient…Yet….

Posted by MAKMU ta On Thursday, April 01, 2010

One of my favourite things to build is stone seats. There is something very special about sitting in a stone seat, it feels very grand, almost throne like. When building stone seats, a portion of my time is spent sitting, making sure that they are comfortable and positioned right. I must admit I have on occasion sat there wondering ‘will this seat still be here in a few hundred years. Will archaeologists be examining it to try and discover what kind of ceremonial uses it once had’ I like to think so!

(I often wonder the same thing about standing stones, Ireland is dotted with standing stones, and in recent years I have noticed it has become a very popular feature in new homes to have a standing stone in the front garden . What is to say that people weren’t doing this a few hundred years ago, maybe one day while building his mud hut, Séan decided to stick a big stone on its side as a nice garden ornament only to have archaeologists hundreds of years later declare it and sacred monument and document it in their books.)

This brings me to the other thing I love about stone seats. There is a rich history of stone seats in Ireland, dating back hundreds of years. Here are some of my favourites.



St Patrick’s Chair and Well


St Patrick’s Chair and Well (also known as the Druids Chair and Well or St Brigid’s Well or St Brigit’s Well) lies within Altadeven Wood, not far from the Ulster Way footpath. The chair is a huge 2m high stone block, shaped like a throne. The Well, which is said to never run dry is another rock, buth this one has a 25cm bullaun, or depression in it. This is filled with natural water. According to folklore, the water within such depressions or bullauns has healing powers and this well is supposed to be good at curing warts.




The Hag’s Chair
   

At the hill top cairns the Cailleach Bhéarra plays a prominent role with regards to stone chairs. In the north, where passage tombs occur, her seats would often stand in the vicinity of these Neolithic structures. A splendid rock chair of the Cailleach is the decorated kerbstone at the main cairn at Loughcrew, County Meath. In a place called ‘The Spellick’, not far from her home on Slieve Gullion in County Armagh, she has another stone seat. Until the early decades of the twentieth century, communal harvest gatherings took place at the Spellick on Bilberry Sunday, and people would sit in the chair as part of the festivites.




Áine's Rock Chairs aka The Mad Chair of Dunany

.. a great stone called "the chair of Aine, or the chair of the lunatics," was located, possibly still is, near Dunany, and the people generally believed that lunatics, actuated by some insuperable impulse, if at liberty, usually made their way to this stone, and seated themselves thrice upon it; and it was generally believed that after having performed that ceremony they became incurable. It was also considered a very dangerous act for persons of sane minds to sit upon this stone, lest they too might become subject to the power of Aine, that is, become affected with lunacy.

The human race were not the only beings supposed to have been affected by the mischievous Aine, since rabid dogs even were said to have come from many parts of the country and flocked around this stone, to the great danger of the neighbours and their cattle: when they remained around the lunatics' chair for some time, they then retired into the sea, as if compelled by some potent invisible power, and the people supposed that they were forced to visit the submarine dominions of Aine, since they were entirely under her subjection.

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