Showing posts with label mosaics. Show all posts
Showing posts with label mosaics. Show all posts

Wednesday, February 22, 2012

Turning old instruments into art!

Posted by MAKMU ta On Wednesday, February 22, 2012

Brass pipe water feature  at the Philadelphia Flower Show's 'Jazz Garden' 2008 . photo by Bérénice

So this is a post that will strike different ‘chords' withdifferent people. For some this is art, but others may see this as decimation of abeautiful instrument. But before you begin to grieve for them, to my knowledge allthe instruments shown here were beyond repair.      


Garden Piano at Hagal Farm
The above picture is of the Garden Piano in the gardens of HagalFarm, my parents' holistic retreat in West Cork, Ireland. I have written aboutthis in a previous blog post which you can find here.
Recently I have become aware of a number of other gardenpianos. I like to think that after reading my garden piano post, readers ranoff to drag their old broken pianos out into their gardens, but I am sure thatthis is unlikely.
The Piano water feature below as well as the brass pipe water feature above were part of the 'Jazz Garden' at the 2008 Philadelphia Flower Show.     
Piano water feature at thePhiladelphia Flower Show's 'Jazz Garden' 2008 .  photo by Bérénice

In recent years, with people becoming more environmentally friendlyand looking for green alternatives in the landscape, recycled or found objectart seems to be more popular than ever. With found object art, musical instrumentparts on occasion find their way into art pieces.

Artist Noel Brady at work in his bush studio
 near Emu Park, Queensland, Australia  

One artist that takes 'musical themed, found object art' toanother level is Capricorn Coast based artist Noel Brady.

Born in Ballarat, Victoria Noel completed his Diploma of Artsand Design at the Ballarat School of Mines and Industries Art School beforeembarking on a long career as a secondary school art teacher in both Victoriaand Queensland.
He retired to his Emu Park bush studio in 2004 toconcentrate on his own artwork with a particular focus on sculpture. Noel workslargely with recycled timber, clay and metal - but has a particular penchantfor reimagining old piano parts.


Convergence by Noel Brady
Symphony under construction by Noel Brady 
Noel has had moderate success to date, exhibitingin Rockhampton, Gladstone, Yeppoon, Emu Park and Goombungee, and has sold worksinto private  collections  in San Diego, Sydney, Canberra, Griffith,Dandenong, Brisbane, Cairns, Rockhampton and Toowoomba.
     Hepresently lives and works in his bush studio on a small acreage near Emu Parkon the Capricorn Coast, and regularly exhibits new work in a smallprivately-run gallery in the seaside town.
Lots more of Noel's artwork can be found through his website http://www.noelbrady.com.au be sure to check it out.

Lasseter's Legacy by Noel Brady   
An unrelated yet worth mentioning, Pool wall panel by Noel Brady

Mosaic Guitar byMosaic Artist Lisa Calabro   
An artist who takes a very different approach to turningmusical instruments into art is American artist Lisa Calabro of Crooked MoonStudio in Warwick, Rhode Island. Lisa has transformed old instruments intoartworks by mosaicing them. See more of her lovely mosaics on her website http://crookedmoonstudio.com
Mosaic Violin by Mosaic Artist Lisa Calabro 
Mosaic Guitar by Mosaic Artist Lisa Calabro
Thanks to both Noel and Lisa for allowing me to share their artwork. Thanks also to Bérénice for the use of her photographs of the Philadelphia Flower Show. 

Tuesday, February 7, 2012

Jeffrey Bale's Mosaic Pilgrimage, a labour of love, a labour of pebbles!

Posted by MAKMU ta On Tuesday, February 07, 2012

Lotus Medallion Patio in San Francisco
Many of youmay already be familiar with the work of Jeffery Bale, but for those of you whoaren’t, I feel the need to share his work with you. I am a big fan of mosaics.One of my favourite city to visit is Barcelona, mainly because of all the wonderfulmosaics of Gaudi that decorate much of the city. I have even ventured to make afew mosaics myself upon occasion (see my blog post on making mosaics) but nothing as large, detailed or impressive as the mosaics of Jeffery.

Jeffery at work
For JefferyBale, gardens and stones are not just his passion and his livelihood, they are instilled in his blood, passed on through a family history of gardeners andgeologists. Quite possibly onsome kind of subconscious level, these family genetics helped pave the way forhis future carer. Jeffery likes to think so anyway. It would also explain whyhe developed a passion for these traits at a very young age.

Following his passion for gardening, Jeffery graduated with adegree in Landscape Architecture from the University of Oregon in 1981, butafter a short stint working a desk job designing for a landscaping firm, Jefferyfelt the need to get his hands dirty.

He spent the next few years experimenting in friends gardens and gaining onsite experience, before in 1987 deciding to set out on a sort of mosaicpilgrimage, to go and see the gardens of the Alhambra in Granada and ParqueGuell in Barcelona as the images of these places had mesmerized him back incollege, and stayed with him long after.
Round step stone with marbles, Indonesian Turquoise, Red Montana Rainbow, Black Mexican Beach and center beach stone

Jeffery began his ‘mosaic pilgrimage’ travelling to Madrid in Spain  and then on to Lisbon, Portugal, and like any good pilgrimage, it didn’t take him long tohave an epiphany.  Here, standing in a city encrusted in mosaics made fromsmall hand split blocks of white limestone and black basalt,  every plazaand sidewalk had a different design, everywhere he went he was looking at marvellousdecorative pavements, something he had never seen back home. So this was it. Jeffery Bale from of Eugene, Oregon, USA felt destined to return home to Americato replace its concrete pavements with stones and jewels.

So when he returned home he set to work on a patio for his newly purchased home in N.E. Portland.  His design was inspired afterreading the ‘Tao of Physics’ by Fritjof Capra.  Not really knowing themethods of construction in Spain, he developed his own technique, setting thepebbles in a bed of wet mortar.


From here Jeffery honed his mosaicing skills by creatingmosaics whenever the opportunity arose, mainly making mosaics for friends andfamily.  It wasn’t until a few yearslater that he convinced a client in Northwest Portland to let him build apebble mosaic patio for him, along with a mosaic path and parking strippavements.  The patio is a 12 by 18 foot Persian Carpet. This patio wouldlater be photographed by Alan Mandell and Jerry Harpur of England, being published several times, and even making the cover of Landscape ArchitectureMagazine in August of 2005.
The Persian Carpet
 Suddenly Jeffery was not just a garden designer anymore, he was bonafide pebble mosaic artist as well, meaning that he could frequently incorporate these lovelymosaics into many of his projects.
Parking Strip mosaic Mother giving birth with the moon in her hair
Looking at one of Jeffery’s mosaic creation, one can beginto appreciate the time and effort that must have been put in to create it. Eachstone has been carefully placed by colour, shape and size to fit into these wonderfulshapes and patterns. But what one might easily overlook is that every single stonein each mosaic has not only been laid by Jeffery, they have also been painstakingly picked by him. 

Jeffery carefully selecting stones in a big heap of Montana Rainbow Pebble Mix 

 "I’ve spent a fairamount of my adult life gathering the materials needed to build thesemosaics.  Each pebble is selected for shape and sorted by color, whetherbeach combing or sitting on piles of rainbow rock in a stone yard.  I haveto look at every single one to discern whether it will fit amongst thethousands of it’s brethren."  Jeffery Bale 

'Council Ring’ fire pit. Most of the stone for this project was gathered from the beach below the property, giving it a strong connection to it’s setting.
Cyphers and Constellations in Love with a Woman, inspired by the paintings of Joan Miro 
One of my personal favorite pieces by Jeffery is actually the footpath below. It makes up part of a number of mosaics around one of his clients houses. The group of mosaics are inspired by the paintings of Spanish painter Joan Miro (including the mosaic 'Mother giving birth with the moon in her hair')
Molalla stone footpath with another mosaic inspired by Miro's work 
I love the simplicity of the footpath. The skilfully arranged Molalla flagstones are cut and tightly fitted together, with the gaps filled with pebble mosaic which connects to the other Miro inspired mosaics in the garden.  Jeff also cleverly incorporated gaps between the rectangle pads to allow for permeability in the pavement, and for the garden to flow through the work in planted lines.
 'The River of Life'

The ‘mosaicpilgrimage’ that Jeffery set out on back in 1987, is in fact one that hecontinues throughout his career. When ever the opportunity arises Jeffery setsoff to get inspired by the different cultures and mosaics from around theworld. 
Looking through his portfolio of work you can see much of what he hastaken back home with him from socking in these different cultures.
The Moroccan inspired Sunken Garden


Jeffery has a wonderful blog that I recommend checking out.In his blog Jeffery documents his mosaic pilgrimage’ sharing many of the wonderful mosaicsites, architecture, culture and mind blowing colours from around the world. http://jeffreygardens.blogspot.com
Mosaic inspiration from Jeffery's blog
Moroccan inspired fire pit. The pit is built up of bands of pebble mosaic using black and gold Mexican beach pebbles, which are then capped with a band of eight pointed stars matching the other mosaics in the garden.  
Islamic Geometry in a small patio in one of Jeffery's gardens in Portland
Brazilian Carnival inspired mosaic parking strip
Lotus Step Stone Path.The lotus blossoms, alluding to a Buddhist Jataka Tale about Sidhartha Gautama being born, and having lotus blossoms spring from his footprints.
Full Moon Spiral Mosaic
There is much more amazing work by Jeffery that I was hoping to share with you, but as this post is starting to get quite long I will leave it at that. To see more information about Jeffery and more photos of his work check out his website http://www.jeffreygardens.com.

For a more complete and comprehensive look at Jeffery's work, I highly recommend getting a copy of his self-published book 'The Gardens of Jeffery Bale' This book along with other publications by Jeffery can be ordered online through the following link Books by Jeffery Bale

And don't forget to check out his wonderful blog http://jeffreygardens.blogspot.com.

Thanks to Jeffery Bale for his kind permission for the use of the photos and writings from his website and blog for this post. 

Thursday, July 21, 2011

Making a mosaic

Posted by MAKMU ta On Thursday, July 21, 2011

Click here to see a video of the building of this project
Here is a picture of a project I recently finished for an artist in West Cork. The mosaic in the center was actually a bit of an afterthought. The seating area was initially designed to have a fire pit in the center but later the client decided against the fire pit. I still wanted to have some sort of central feature, so I decided to put in a mosaic instead.
 I have been getting a lot of reaction to the mosaic I made for the center, I also have been getting some feedback from readers saying that they would like to see some more DIY projects posted on the blog. So I thought, why not show how I made this mosaic so people can give it a go themselves. 
Natural stone mosaic
I am in fact going to show two different ways of making mosaics. The first is made the more traditional way, using floor tiles of the same thickness, and the second way (which was a bit of an experiment) involved making a sort of upside-down mosaic cake!  

Mosaics are relatively easy to do and are a great project to get the whole family involved in. They make great features in a garden patio, on a wall or in a summerhouse. Anyone who has been to Gaudi’s, Park Güell, in Barcelona, Spain will know the endless creative possibilities with mosaic art.
The first mosaic I will demonstrate is the more conventional tile mosaic. This type of mosaic can be pre-made and slid into place later. This method is great because this means that it can be made on the kitchen table where the whole family can get around and be involved, it also means that it can be completed over a period of time.

This is in fact a mosaic I did for my parents some years back, I was finishing up a tiling job when I realised we were going to be short of tiles, the tiles were relatively cheap so the boxes came with many broken tiles. So I thought why not put the broken tiles to good use and make a mosaic (and save a trip to the tile store in the process).

So here are a few things you will need if you are going to give this a go!

The first step is to decide on your design, in my case it was a yin yang symbol, but be as creative as you like. Or if you are lacking inspiration, you can also find many mosaic designs and templates on the internet.
When you have decided on a design, transfer the design onto your sheet of plywood to the scale you desire.
Next stretch plastic wrap over the board (this will prevent the mosaic from sticking to the board). Then lay your tile mesh on the board. Use some tape or tacks to keep the mesh in place. If you are finding it difficult to see the design you may want to retrace the design onto the mesh.
If you are using old tiles try and use tiles of the same thickness as it will give you a more even finish. Also take care when breaking up the tiles as the tile fragments can be sharp, be sure to wear gloves and eye protection. It is also advisable to lay an old towel over the tiles as you break them to prevent the fragments from flying around the place.

Now you are ready to start laying the tiles. Using your paint brush put a blob of PVA glue on the back of each piece of tile as you position it on the mesh. (you want to be using enough glue to get a good bond with the mesh without getting to much excess glue squeezing out the sides and through the mesh)
 It can be quite tedious getting all the pieces to fit together like a big puzzle, but try not too worry about the gaps between the pieces as once they have been grouted you won't notice the gaps.
To fix the mosaic in place, get some tile glue either premixed or in powder form (just be sure that the glue is suitable for exteriors if the mosaic is outdoors, rapid set is also preferable). Using a tiling trowel spared an even layer of glue on the surface where the mosaic will sit, then carefully slide the mosaic into place. Lightly press down on the mosaic so that the glue starts to push through the mesh but try not to get it coming to the surface. Wipe off excess glue and leave to set. Once the glue is set to the manufactures specifications, mix up your grout (again make sure the grout is suitable for outdoors)  and squeeze into the gaps with a squeegee and remove residue with a sponge when it starts to set (usually only takes a few minutes). And there you have it, one finished mosaic!

So now I will show you the process I used to make the spiral mosaic for this seating area below.
Click here to see a video of the building of this project

So this mosaic was a bit of an experiment because I needed to make it off site, but I could not make it the conventional way (as above) either as I would be using natural stone which would be of variable thickness resulting in a very uneven finish so I decided I would try and make it similar to an upside down cake, that way the finished mosaic would be perfectly smooth and even.
Hole left in paving for mosaic
There are probably better ways of doing this, but I will now demonstrate the process I used to make this mosaic, using the materials I had to hand in my little garden shed.
So first of all, I knew I wanted to make a spiral and that it had to be a circular shape just under 80cm in diameter as this was the size of the hole I left in the paving for it.
I also wanted to use the same stone I used to create the surrounding paving, so before leaving the site I collected a number of pieces of stone averaging a thickness of about 1cm. In order to get a clear design I only selected pieces that were either light grey or dark brown, to maximize the contrast. I then took my measurements and my stone home with me to work on over the weekend.

So my first step was to come up with a design, I opted to go with a fairly simple spiral design as a very complex design would be very difficult to achieve using natural stone. I then transferred the design onto two large sheets of paper to get it to full scale. Remember if you are planning on trying one of these upside down type mosaics your template drawing should be back to front ( this is important if you have any lettering in your mosaic. Mine is just a spiral so it was not an issue)
I then attached the template onto a piece of plywood (approx 1m² in size) and drew a box around the outside of the circle. At the four points where the box and the circle meet, I attached pieces of 2”x2” timber onto the plywood, then using some strips of hardboard (nice and flexible) that I had laying in the shed, I created the circular mould that would contain the mosaic, by connecting the hardboard strips to the 2”x2” timbers I connected to the plywood.
I was now ready to start laying. (It is important to remember when laying the stone to put the side with the highest contrast facing down so that you end up with a better contrasting design when you're finished)
Laying completed
The picture above shows all the stones placed, however the contrast between the two coloured stones does not seem great. This is of course because we are looking at the underneath of the mosaic and I have the most contrasting sides of the stone facing away.
Next I got a large piece of plastic mesh and cut it to size (the mesh will help keep the mosaic in one piece and prevent it from cracking into little pieces when it comes to laying it later)
I then mixed up a half bag of cement fondue I had in the shed with some sand and water in a bucket into a creamy mixture (not too wet mind you) that would seep into the cracks  (a bag of quick drying cement should work fine as well)  I then poured half the mixture on to the mosaic and spread it out, careful not to move any of the stones.
I then added the plastic mesh and poured the rest of the mixture on top so that the mesh was sandwiched in the middle.
I then left it for a few hours to set. I waited till it was set long enough that it was hard but still soft enough that I could scratch the surface, the reason for this I will explain in a second. So the next task was to flip the mosaic over, to see if the experiment worked at to see if there was enough of a contrast between the two stones to show up the spiral properly.
To do this I put another sheet of plywood on top of the mosaic and screwed it into the 2”x2” timbers below, sandwiching the mosaic which allowed me to flip the mosaic over safely without damaging it. Then sliding the mosaic to the edge of the table I was able to take the screws back out and reveal my creation.
All that was left to do now was scrape any excess cement from between the cracks using a pointed tool (I used a pointed screwdriver and a nail) and brush clean. Because the cement was not completely set yet I was easily able to remove the excess glue.
From here the only thing left to do was transport the mosaic back to site and slide it into the hole on a bed of cement and grout it with a grey grout using the same technique mentioned earlier.
 So I hope this has inspired some of you to give mosaicing a go, and hopefully some of the information here will help you along the way. If you do give it a go, please post a photo of your mosaic creations (or indeed any of your other garden stone art creations) on my stone art facebook page so I can have a look. As for the rest of you who don't already know my facebook page do pop in and give us a 'like', I update the facebook page every few days with lots more interesting things as well as mini post, photos and more.

Monday, February 22, 2010

The Shell House at Ballymaloe Cookery School

Posted by MAKMU ta On Monday, February 22, 2010

For anyone passing through Co. Cork, in Ireland who has a love for fantastic food and beautiful gardens with all sorts of hidden gems, a visit to Ballymaloe is an absolute must.




Ballymaloe house and gardens are nestled in a 400 acre estate that dates back to the early 1800’s in the rural setting of Shanagarry, East Cork. Alongside this renowned Irish country house hotel and restaurant owned and run by the Allen family for over 40 years is there famous cookery school and gardens. It is here in one of the many individual gardens of Ballymaloe that you will find the Shell House.
As you enter the Shell House garden through the gate, a straight grass path leads towards the Shell House. At the far end of the of the herbaceous border is a deceptively simple little building with a slate roof and gothic windows. When you enter it will take a moment for your eyes to adjust to the light, you then begin to realise that the exterior was indeed a deceptive, careful ploy. The walls, window sills and ceiling are encrusted with a myriad of shells. In the centre of the pebble studded floor is a circular pool of shallow clear water. This extraordinarily beautiful Shell house was Darina Allen’s idea, a surprise present for her husband Tim.
                                                  Inside the shell house
The interior of the shell house was created by the fantastic award winning shell artist Blott Kerr-Wilson in July 1995 and was completed on the 26th of October. The day before Darina and Tim celebrated their silver wedding anniversary.
During the construction
The shells that were used in the creation of this house came from many different sources. Darina had been collecting shells for many years with a vague idea of building a folly. Blott brought some shells with her and more were given as gifts when people heard about the project. Gazing upwards to the ceiling, you will notice how scallops and mussels, laid rank upon rank, increasing in size give the illusion of more light. Every shell used in the roof once encased a mussel or scallop that was consumed at Ballymaloe House or at the Ballymaloe Cookery School.
Ceiling of the shell house, complete with shell chandelier

Tim and Darina designed the building themselves. Tim wanted a very classical building with something completely different hidden inside to amaze and delight when you step across the threshold. Blotts own inspiration for her design came from the time she spent at the Alhambra palace in Granada.
Closeups of various details on the walls
When creating her designs, she would work out the patterns in her head and then sketch the ideas onto the wall with chalk, and she would then cement the shells on. Although Blott like to work at night, she was rarely alone. There was always someone around to watch in wonderment at the work that was progressing. An article from Gardens illustrated, wrights that, soon after Blott began work on the shell house, the school holidays began, and hordes of children descended on Ballymaloe, as her work never ceased to interest and amuse them. In the article, Blott tells “I love to work at night and they would sneak out in their pyjamas, and cycle to the field where I was working. It was just like E.T. I would see the lights of their bicycles lined up outside the shell house and hear them whispering “Shh, Shh” very loudly”
                                Closeup of shell chandelier
Another visitor who came often to review the progress was Tim's father the late Ivan Allen. He gave Blott the inspiration to turn the window sills into seat because when he would come he would sit on the sills and from there he was able to admire the emerging patterns as they were created whilst he was seated.
Sill seat for Ivan. It’s design partly accredited by the shells eaten the day before.
Ballymaloe house and gardens are a magical place, the shell house being no exception. The gardens are open to the public all year round, so do go and see it for yourself, as the memory will stay with you for years to come. Check out their website for more information http://cookingisfun.ie/

For all of those who admire Blotts amazing shell art, you can find more examples of her works on her website
http://www.blottshellhouses.com/index.html

Thanks to Blott and the Allen family for their kind permission for the use of Photographs and information from there lovely websites.

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